A New Chapter for the International Edition
The newsroom's design language pairs a 19th-century nameplate with a modern token system: one grid, two themes, and type that holds its authority at every size.
The design language of the International Edition, from the nameplate and newsprint palette to the tokens that set every headline, rule, button and byline.
Cheltenham carries the headlines, Franklin runs the interface, Imperial sets the body, and Karnak brings the opinion pages to life.
By The New York Times · 2 min read
A semantic palette built for news: near-black ink, warm paper, one editorial blue. Themes swap values, never token names.
An 8px-rooted spacing scale, 3px corners, hairline rules, and a content column that tops out at 1200 pixels.
The masthead, buttons and story cards, assembled from the same tokens. Classic newspaper structure with a contemporary interface layer.
The newsroom's design language pairs a 19th-century nameplate with a modern token system: one grid, two themes, and type that holds its authority at every size.